Showing posts with label David Finch. Show all posts
Showing posts with label David Finch. Show all posts

Friday, 13 May 2011

Batman and Robin Must Die! (Review)


Writer: Grant Morrison
Artists: Frazer Irving, David Finch, Cameron Stewart, et al
Publisher: DC Comics
Collects: Batman & Robin #13-16; Batman: The Return #1

When Bruce Wayne "died" at the hands of Darkseid in 2009's Final Crisis, rather than die with him, the Bat-franchise exploded into so many ongoing series that I honestly lost count. But there was one that stood above all the others: Batman & Robin, starring former Boy Wonder Dick Grayson as Batman, and recently revealed offspring Damian Wayne as Robin. Fun, colourful and action-packed, fans and critics alike loved this series a lot more than anybody could have expected.

But now Bruce is back, and I couldn't shake the feeling that the kids would have to pack up their toys now that Daddy was home as I unknowingly dove into the ominously titled Batman and Robin Must Die!
And that is the greatest thing about Grant Morrison's time writing Batman: It feels like anything could happen and nothing is set in stone. It's like a rollercoaster in the dark, and I don't know when it's going to stop.


Friday, 21 January 2011

Fallen Son: The Death of Captain America (Classic Review)

Originally released in 2009.

Writer: Jeph Loeb
Artists: Leinil Yu, Ed McGuinness, John Romita Jr., David Finch and John Cassaday
Publisher: Marvel Comics
Collects: Fallen Son: Wolverine; New Avengers; Captain America; Spider-Man; Iron Man

"Where were you when Captain America died?" is the motivating question behind Fallen Son, as it shows the reactions of various Marvel characters in the aftermath of Cap's assassination, even if it does stray from that original concept.

It is quite appropriate for Jeph Loeb to pen this story. Not only is he personally familiar with loss, but his writing always carries a certain weight to it. And the absolute plethora of talented artists here is truly top-form; whether its David Finch's grittiness or Ed McGuinness' solid action or John Cassaday's elegant simplicity, and all of them benefit from Loeb's instant synergy with his artists.

I can think of no tribute more fitting for Cap -- a man who was perceived completely different by everyone who knew him -- than to see his friends and allies all share their image of the Sentinel of Liberty and what he meant to them, and see that maybe he was all these things and more.