Batman and Robin Must Die! (Review)

Writer: Grant Morrison

Artists: Frazer Irving, David Finch, Cameron Stewart, et al

Publisher: DC Comics

Collects: Batman & Robin #13-16; Batman: The Return #1

When Bruce Wayne "died" at the hands of Darkseid in 2009's Final Crisis, rather than die with him, the Bat-franchise exploded into so many ongoing series that I honestly lost count. But there was one that stood above all the others: Batman & Robin, starring former Boy Wonder Dick Grayson as Batman, and recently revealed offspring Damian Wayne as Robin. Fun, colourful and action-packed, fans and critics alike loved this series a lot more than anybody could have expected.

But now Bruce is back, and I couldn't shake the feeling that the kids would have to pack up their toys now that Daddy was home as I unknowingly dove into the ominously titled Batman and Robin Must Die!
And that is the greatest thing about Grant Morrison's time writing Batman: It feels like anything could happen and nothing is set in stone. It's like a rollercoaster in the dark, and I don't know when it's going to stop.

Batman: Joker's Asylum, Volume One (Classic Review)

Originally released in 2008.

Writers: Various (see below)

Artists: Various (see below)

Publisher: DC Comics
Collects: Joker's Asylum: Joker; Penguin; Poison Ivy; Scarecrow; Two-Face

When this mini-series from DC first came out in 2008, I feared that it would get lost under the mountain of Bat-hype that was happening at the time. The Dark Knight was approaching cinemas faster than ticket sales could keep up with, and in comics Grant Morrison was taking Bruce Wayne on an interesting journey in Batman R.I.P.

And then there was Joker's Asylum. Five one-shots focusing on different members of Batman's infamous rogues gallery, each narrated by the Joker. These intriguing character pieces not only gave us an in-depth examination of each villain wrapped around a short story, but also spoke to that old chestnut we all secretly love: That the bad guys are always more interesting than the good guys.

Batman: The Return of Bruce Wayne (Review)

Writer: Grant Morrison

Artists: Chris Sprouse, Frazer Irving, Yanick Paquette, Georges Jeanty, Ryan Sook, Pere Perez, Lee Garbett

Publisher: DC Comics

Collects: Batman: The Return of Bruce Wayne #1-6

When Bruce Wayne appeared to shuffle off this mortal coil at the end of Final Crisis two years(!) ago, most of us who had been reading superhero comics for a while knew it was only a matter of time before he returned. What we didn't know was how much we would come to enjoy Dick Grayson's career as Batman in the meantime.

As we found ourselves growing to like the former Boy Wonder more and more with each new adventure, Bruce's return became less and less anticipated. Yet it still loomed on the comic book horizon, and we felt a strange sense of dread and shame as it approached.

But we cannot put off the inevitable any more. This is comics, after all, where nothing lasts forever and nothing ever ends. And so, The Return of Bruce Wayne, as its title suggests, has our eponymous and amnesiac hero trapped in the past, jumping ever closer to the present and to his former position, all the while trying to solve a millennia-old mystery and recover his memories in the process.

Fallen Son: The Death of Captain America (Classic Review)

Originally released in 2009.

Writer: Jeph Loeb

Artists: Leinil Yu, Ed McGuinness, John Romita Jr., David Finch and John Cassaday

Publisher: Marvel Comics
Collects: Fallen Son: Wolverine; New Avengers; Captain America; Spider-Man; Iron Man

"Where were you when Captain America died?" is the motivating question behind Fallen Son, as it shows the reactions of various Marvel characters in the aftermath of Cap's assassination, even if it does stray from that original concept.

It is quite appropriate for Jeph Loeb to pen this story. Not only is he personally familiar with loss, but his writing always carries a certain weight to it. And the absolute plethora of talented artists here is truly top-form; whether its David Finch's grittiness or Ed McGuinness' solid action or John Cassaday's elegant simplicity, and all of them benefit from Loeb's instant synergy with his artists.

I can think of no tribute more fitting for Cap -- a man who was perceived completely different by everyone who knew him -- than to see his friends and allies all share their image of the Sentinel of Liberty and what he meant to them, and see that maybe he was all these things and more.

One Month to Live (Review)

Writers: Rick Remender, Rob Williams, Stuart Moore, John Ostrander

Artists: Andrea Mutti, Koi Turnbull, Shawn Moll, Shane White, Graham Nolan, Jamie McKelvie

Publisher: Marvel Comics
Collects: 1 Month 2 Live #1-5

Stand-up comedian Dylan Moran once said that all Irish people look as if they are being told really good news in one ear while being told really bad news in the other.

That is essentially what happens to the character of Dennis Sykes in this creator-jam story from Marvel, presumably sent to remind us of how "real" their stories always are. Dennis -- who seems to be some kind of... accountant? Bank employee? I dunno; whatever he is, he seems to wreck people's dreams for a living and is ashamed for it -- discovers he has matter-altering superpowers at the same time he discovers he has cancer, with one month on the clock.

Resolved to use both his powers and dwindling time to make a positive difference in the lives of others and his family, Dennis soon finds himself entering the wider world of the Marvel Universe with consequences both personal and far-reaching

WARNING: SPOILERS AHEAD!

The Starman Omnibus, Volume One (Classic Review)

Originally released in 2008.

Writer: James Robinson

Artist: Tony Harris (et al)
Publisher: DC Comics
Collects: Starman #0-16

What kind of music does Batman like to listen to? What's Wonder Woman's favourite food? What hobbies does Superman have?

I bet, even with over seventy years of stories, nobody can answer any of those questions. Yet, in just 17 issues, I feel like Jack Knight (Starman) is a lifelong friend.

Nineties superhero comics are often dismissed too quickly. People assume it was all clones and armour without any depth or gravitas, and a lot of it was. But occasionally you find a bright shining star in an otherwise dark sky, and like some ancient explorer, you are lured towards it.

While reading James Robinson's Starman series, I could not help comparing him to Grant Morrison. Both UK writers are huge just now, but both started out with obscure titles (such as Morrison's runs on Animal Man and Doom Patrol) which they could have done poorly and DC would not have suffered. Instead, they proved their worth, excelling in their small corners of the DC Universe, and standing out amongst the noisy and hyperactive 90's mainstream.

The A-Team: War Stories (Classic Review)

Originally released earlier this year.

Writers: Chuck Dixon and Erik Burnham

Artists: Hugo Petrus, Casey Maloney, Alberto Muriel and Guiu Vilanova

Publisher: IDW Publishing

Collects: The A-Team: War Stories -- Hannibal, B.A., Face, Murdock

Welcome to the only review of A-Team related material that does not begin with a pastiche of the opening intro.

This trade collects four one-shots released as tie-ins for the Joe Carnahan movie, highlighting each member of the A-Team in action-adventure character spotlights from before they all met.

I read this before the film came out, I re-read this after I saw the film, and I re-read it again recently after the DVD release. What did I think each time?

Brightest Day Volume One (Review)

Writers: Geoff Johns and Peter J. Tomasi

Artists: Ivan Reis, Patrick Gleason, Fernando Pasarin, Adrian Syaf, Scott Clark and Joe Prado

Publisher: DC Comics

Collects: Brightest Day #0-7

Blackest Night concluded with twelve characters being resurrected from the dead by the enigmatic White Light of creation for some elusive purpose. Brightest Day follows these characters as they resume their ordinary lives, and slowly discover the reason behind their return.

"Slowly" being the operative word.

After the frenetic, action-packed Blackest Night, Brightest Day feels more along the lines of 52 or Batman: No Man's Land in terms of story pacing. We get the impression that there is something big unfolding here, it's just taking its time doing so.