Fantastic Four: Three (Review)

Writer: Jonathan Hickman

Artists: Steve Epting, Nick Dragotta, Mark Brooks

Publisher: Marvel Comics

Collects: Fantastic Four #583-588

It is so rare that a mainstream, in-continuity superhero story is worthy of such high praise as Fantastic Four: Three. Not that there aren't exceptional stories out there, but it is like saying a single episode of your favorite TV show is equal to a great movie. Free of context or prelude, one small piece of an on-going saga can feel a little hollow when compared to a complete, self-contained epic.

Yes, Three is the culmination of Jonathan Hickman's entire emotional run on this series, and previous knowledge is essential, but the skill poured into this story and the impact that it has on the reader elevates it onto a whole new level, and into comic book history.

We all knew going in that this was going to be the much-publicised storyline that saw the death of a Fantastic Four member, but anyone who half-heartedly jumped on board just so that they could say the comic book equivalent of "I was there" will not find it that easy. This isn't just the death of a superhero -- this is the loss of a family member.

WARNING: SPOILERS AHEAD!

Thor, Volume One (Classic Review)

Originally released in 2008.

Writer: J. Michael Straczynski

Artist: Olivier Coipel

Publisher: Marvel Comics

Collects: Thor #1-6

The first page of this collection tells you everything you need to know about the rest of it: Gorgeous artwork and lofty dialogue.

After Ragnarok, the battle to end all battles, Asgard and its residents have been wiped out. From the void of nothingness, Thor is resurrected by his former alter ego Dr. Don Blake, who is also restored to reality. And so Thor sets about rebuilding that which was lost; reconstructing Asgard in a field in Oklahoma, and seeking out his people in the bodies of mortals.

I fell in love with this story the first time I read it. Coipel's art is simply divine, with powerful designs, striking layouts, and realistic body language and facial expressions. I can recognise each unique character and feel as though I know them intimately. He works in conjunction with Straczynski to create a rich atmosphere whatever the tone, whether dark and grim or light and humorous. The famous Laura Martin on colours doesn't hurt either.

Where Do I Start With... Thor

Who?

Of course, as everyone knows, Thor is the ancient Norse God of Thunder, but he was adapted for Marvel Comics in 1962 by Stan Lee, Larry Lieber and Jack Kirby, making his first appearance in Journey into Mystery #83. Originally, he was bound to New York surgeon Dr. Donald Blake, and they would switch places at will. This has changed over the years, with Thor being attached to other mortals as well as going it alone, but Blake has recently returned to the series.

Possessing godlike strength and stamina, Thor also wields the mighty Mjölnir -- his legendary hammer; enabling him to fly, and command thunder and lightning.

Known for his headstrong attitude and Shakespearean speech, Thor has always taken part in fantastical adventures on both Earth and beyond, and is not limited to the laws and ethics of man. He is burdened by greater, more divine responsibilities.

Okay, so where do I start?

Thunderbolts: Cage (Review)

Writer: Jeff Parker

Artist: Kev Walker

Publisher: Marvel Comics

Collects: Thunderbolts #144-147; material from "Enter the Heroic Age"

The great thing about only being a casual reader of Marvel is that I have no idea who half the characters are in most stories. I go in blind, ready to discover their personalities and nuances, and be wowed by some new hero or villain. A good writer can appeal to readers such as me; showing us why these characters are so long-lasting without simply referring to their pre-established reputations.

And Jeff Parker is a good writer.

Compared somewhat unfairly to DC's Secret Six, which I love, I was attracted to the idea of a team of Marvel villains working under the supervision of Luke Cage. I was further lured in by the aforementioned exciting opportunity to get to know new characters (aside from Cage and Crossbones, whom I were already familiar with). Plus, everybody loves a good villain story. You know you do.

Thor: The Mighty Avenger, Volume Two (Review)

Writer: Roger Langridge

Artist: Chris Samnee
Publisher: Marvel Comics
Collects: Journey into Mystery #85-86; Thor: TMA #5-8

In my review of the first volume of this "closed continuity" series I said that it felt like a superhero rom-com. It left me feeling warm and fuzzy inside, but did not leave much of an impression on my mind. Nevertheless, I liked it enough to pick up this second and (sadly) final volume. Thank Odin that I did.

Although the tragically premature death of this series means a few sub-plots were left unresolved -- the identity of the person or persons who captured Thor, why Thor was sent to Earth, what (if anything) Loki was up to -- the only thing that was really important, the relationship between Thor and Jane, sees a happy end.

Shadowland (Review)

Writer: Andy Diggle

Artist: Billy Tan
Publisher: Marvel Comics
Collects: Shadowland #1-5; X-Men: Curse of the Mutants Spotlight

As I understand it, Shadowland was conceived as a street-level equivalent to big, cosmic, universe-threatening comic book Events, and was born out of Andy Diggle's run on Daredevil in which the Man Without Fear became the leader of the Hand, an ancient alliance of powerful ninja. Daredevil thought he could turn the Hand towards good, but things didn't quite turn out that way.

I'm not entirely sure if the "mini-Event" label is accurate. On the one hand, Shadowland did not have the same "everything must change!" impact that most Big Events have. On the other, it was nice just to read a good story for the sake of reading a good story. On the third hand, while many may decry the unrealistic plot points -- the Hand buys Hell's Kitchen and turns it into a fortress, complete with dungeon -- this is proportionally equal to the much grander scale plots found in regular Events.

WARNING: SPOILERS AHEAD!

Fallen Son: The Death of Captain America (Classic Review)

Originally released in 2009.

Writer: Jeph Loeb

Artists: Leinil Yu, Ed McGuinness, John Romita Jr., David Finch and John Cassaday

Publisher: Marvel Comics
Collects: Fallen Son: Wolverine; New Avengers; Captain America; Spider-Man; Iron Man

"Where were you when Captain America died?" is the motivating question behind Fallen Son, as it shows the reactions of various Marvel characters in the aftermath of Cap's assassination, even if it does stray from that original concept.

It is quite appropriate for Jeph Loeb to pen this story. Not only is he personally familiar with loss, but his writing always carries a certain weight to it. And the absolute plethora of talented artists here is truly top-form; whether its David Finch's grittiness or Ed McGuinness' solid action or John Cassaday's elegant simplicity, and all of them benefit from Loeb's instant synergy with his artists.

I can think of no tribute more fitting for Cap -- a man who was perceived completely different by everyone who knew him -- than to see his friends and allies all share their image of the Sentinel of Liberty and what he meant to them, and see that maybe he was all these things and more.

Marvel vs. DC (Classic Review)

Originally released in 1996.

Writers: Ron Marz, Peter David

Artists: Dan Jurgens, Claudio Castellini, Jose Luis Garcia-Lopez
Publisher: DC Comics/Marvel Comics
Collects: DC vs. Marvel #1-4; Dr. Strangefate #1

Come with me on a journey back 15 years, to a time when Superman had a mullet, Spider-Man was a clone, and every other word had the letter X awkwardly forced into it.

It is a time where mainstream superhero stories have fallen somewhat by the wayside. The art was difficult to look at, the characters zero-dimensional, and the plots reduced to mindless stunts. Seeking to regain their former glory, DC Comics and Marvel Comics put their heads together and came up with a solution.

They were going to pull off the biggest, most mindless stunt possible by having their characters fight each other until only one remained! One reader, that is.

One Month to Live (Review)

Writers: Rick Remender, Rob Williams, Stuart Moore, John Ostrander

Artists: Andrea Mutti, Koi Turnbull, Shawn Moll, Shane White, Graham Nolan, Jamie McKelvie

Publisher: Marvel Comics
Collects: 1 Month 2 Live #1-5

Stand-up comedian Dylan Moran once said that all Irish people look as if they are being told really good news in one ear while being told really bad news in the other.

That is essentially what happens to the character of Dennis Sykes in this creator-jam story from Marvel, presumably sent to remind us of how "real" their stories always are. Dennis -- who seems to be some kind of... accountant? Bank employee? I dunno; whatever he is, he seems to wreck people's dreams for a living and is ashamed for it -- discovers he has matter-altering superpowers at the same time he discovers he has cancer, with one month on the clock.

Resolved to use both his powers and dwindling time to make a positive difference in the lives of others and his family, Dennis soon finds himself entering the wider world of the Marvel Universe with consequences both personal and far-reaching

WARNING: SPOILERS AHEAD!

Thor: The Mighty Avenger, Volume One (Review)

Writer: Roger Langridge

Artist: Chris Samnee

Publisher: Marvel Comics

Collects: Journey into Mystery #83-84; Thor: TMA #1-4

A continuity-free, all-ages series released as a companion to its mainstream counterpart, Thor: The Mighty Avenger tells the story of a god who fell to Earth. Unsure of why he is here, Thor quickly finds himself becoming an unwary superhero in the world of mortals, while also becoming wrapped up in the life of museum curator Jane Foster.

This was a breath of fresh air. Light-hearted but unrestrained, TMA is good old-fashioned superhero fun in every form. This should be held up as a basic example of how to do good comics without resorting to moody moping which, although effective, is not always essential.

Despite being chock full of exciting action sequences, this is first and foremost a love story in a very modern sense. Snappy dialogue, genuinely funny comedy pacing, and heartwarming moments between Thor and Jane make this seem like a rare breed of superhero rom-com that's actually quite good. The best material in here is the quiet interactions of those two starcrossed lovers.

Where Do I Start With... Daredevil

Who?

Created by Bill Everett and Marvel giant Stan Lee, The Man Without Fear debuted in his own eponymous series in 1964, as a blind lawyer granted superhuman senses by the very radioactive substance than cost him his sight.

Now defending the New York neighbourhood of Hell's Kitchen as Daredevil, Matt Murdock applies his unique sensory gifts and his uncanny fighting skills in his tireless quest against injustice.

Okay, so where do I start?

The Ultimates: Super-Human (Classic Review)

Originally released in 2002.

Writer: Mark Millar

Artist: Bryan Hitch

Publisher: Marvel Comics

Collects: The Ultimates #1-6

Ultimate Marvel was based on the simple premise of upgrading classic characters for a modern readership, cut clean from the mire of mainstream continuity. The Ultimates were going to be the frontline team of this new universe -- the all-new Avengers for today's world. Not that, in my opinion, there's anything wrong with the classics, but that's another story.

And just in case you didn't comprehend the ramifications of that concept, the first volume of this series, Super-Human, drives it home with a non-stop "This is a big deal" theme. Straight away, the first issue is almost entirely devoted to introducing the new Captain America with a grizzly war-time sequence that evokes the spirit of the old Kirby/Simon tales, and that praise should not be taken lightly. This hard-punching, wisecracking, yet still heavy-hearted opening sets the tone for the rest of the story.

A-Musing: Does Captain America Vote?

Disclaimer: This post is in no way about anything to do with real world politics, so I don't want to hear it.

A great many people often misunderstand Steve Rogers, better known to you and me as Captain America. Those who do not read his series think of him as a mindless tool of the U.S. government, spewing propaganda and slogans, and punching anything "un-American" in the face. I too was guilty of this gross misconception at one point.

But now I, and anyone who reads Captain America, know this to be untrue. Cap is first and foremost an agent of the people, not the state. He embodies American values such as freedom, justice and equality, independent of whoever happens to be in power. If the government starts singing a tune he's uncomfortable with, he's not afraid to stand apart. Or against.

Captain America represents all that's good about America, which is actually quite a lot, despite what we have allowed ourselves to believe for the sake of comedy or smugness. He is what America should be -- what America could very easily be, if everyone just gave a damn.

Fantastic Four: Prime Elements (Review)

Writer: Jonathan Hickman

Artist: Dale Eaglesham

Publisher: Marvel Comics

Collects: Fantastic Four #575-578

With this story, Jonathan Hickman has finally stepped out of the "testing the waters" period that every new writer goes through with iconic titles and firmly stepped into the "doing his own thing" category.

And, boy, do I love it.

Smart, funny, exciting -- this is everything I want from the Fantastic Four.

WARNING: SPOILERS AHEAD!

Thor: Siege Aftermath (Review)

Writer: Kieron Gillen

Artist: Richard Elson and Doug Braithwaite

Publisher: Marvel Comics

Collects: Thor #179-181, 611-614

At the end of the day, when all the numbers are counted up, I probably lean more favourably towards DC than Marvel. I don't know why, it's just one of those unknowable things.

That said, Thor is both my favourite Marvel character and series (a rare duo). I jumped on the series with J. Michael Straczynski's first trade and instantly loved it. When Kieron Gillen took over writing with Latverian Prometheus I was, like all comics fans are in such circumstances, a little worried.

But he pulled it off. Gillen aptly captured the tone and atmosphere of the series, and annihilated any doubt from my mind. I greatly anticipated his next big Thor story.